想買隻最簡單的表,沒有日曆,(對於我這樣想到帶才帶帶,大部分扔抽屜難見天日,日曆,年曆之類調起來很麻煩,萬年曆就不談了)一直以來都想買隻GS,但今天接到電話北京FPJ 馬上到一隻CB ,挺動心的,有點像放棄GS買CB了。。。
如果不是对大三针有特别偏好的话,最好选择CB。
GS的卖点仅仅在“超越COSC”标准的所谓精度还有那种高度抛光的面盘刻度和指针,但是其他地方相对来说真的很乏善可陈。
已经定了CB,预计二周到手!
swjoseph 发表于 2015-6-23 16:42
先行恭喜入手CB,聽說還不是馬上有貨呢!
schen 发表于 2015-6-23 10:44
虽然我很喜欢GS,但这个价位还是选CB吧。事实上,这个价位新表我认为CB天下无敌。 ...
antihumanity 发表于 2015-6-23 16:50
朗哥1815也不错
不过我也还是喜欢FPJ,蓝色太美,唯一遗憾不是贵金属壳,坦合金不知是啥东西 ...
antihumanity 发表于 2015-6-23 16:48
北京专卖店来了一块,预计两周内到京,今天抢先把定金交了,价钱也很好
antihumanity 发表于 2015-6-22 22:52
已经定了CB,预计二周到手!
antihumanity 发表于 2015-6-23 00:50
朗哥1815也不错
不过我也还是喜欢FPJ,蓝色太美,唯一遗憾不是贵金属壳,坦合金不知是啥东西 ...
现代GS没有意思的,不用考虑这个系列的东西了。
GS诞生之初,就是为了精度,现在精度对于机械表基本就是无意义的存在,而这个系列早在1973年就完成了自己的历史使命(最起码对于该系列的机械表而言)。
个人观点,买GS,就买1973年或以前的,之后的,不提也罢。
nomorewatch 发表于 2015-6-25 00:46
钽金属是继钛合金和铂金的又一终极表壳之选,色泽特别,稀有,化学性质稳定(甚至比金及其合金要稳定), ...
nomorewatch 发表于 2015-6-25 00:57
现代GS没有意思的,不用考虑这个系列的东西了。
GS诞生之初,就是为了精度,现在精度对于机械表基本就是无 ...
antihumanity 发表于 2015-6-25 04:15
也是,只是一直玩日本的工艺品 ,颇想要只日本表,看来还是 择机找个贵朵 ...
antihumanity 发表于 2015-6-25 04:13
仔细研究一下 ,基础表款 ,这个价位少有更好选择 了 ,据说这只表的表壳加工以及盘面工艺都很复杂 ,而 ...
看到WATCHUSEEK 上某位對CB 的評價,轉過來看看
Not the most strict dress watch in my opinion but truly a work of art. Let's start with the brand. F.P. Journe is the only brand today that is founded, run and owned by the master watchmaker and the only one located in Geneva! They make 95% of all their movements in the basement of the factory and own their own dial makers and case manufacturers! EVERYTHING is designed by Mr. Journe, who is a genius, A to Z from buckles to movement. He never takes the short route and is the only one to start a design by sketching the dial first! Far more difficult and Patek never dreams of it!
Most brands, including Patek, have clearly distinguishable differences in level of work between their less expensive pieces and their most. For example, a 5711 finishing is of far less perfection than on a Patek minute repeater. Basically, you get what you pay for and whereas a 5711 is put together in assembly...the same is not the case for Patek repeaters.
However, knowing this to be the norm in the industry, Journe did not want the same concept to enter his brand and insted wanted his "least expensive" watch to be just as well made as his 650,000 CHF Sonnerie. The watch HAD TO speak for itself. In turn, the movement is made of 18K rose gold entirely! Why? Because charging 20k for a brass movement is unfair to Mr. Journe. The movement is pretty much the same as in the CS but the baseplate was completely changed to accomodate the absent power reserve. Again, Mr. Journe does not allow shortcuts and leaving a useless space for unused power reserve is stupid!
Further, each movement is the responsibility of one watchmaker A to Z which makes each movement unique. Ask me, I own and played with quite a few Journe pieces and each one has its own touch because each movement was assembled with its own personal technique. The movement is not a typical A to Z manual wind. It is artistic and has barrels mounted in parallel to provide more stable energy. The gear train is hidden beneath the dial to give the illusion that the balance wheel is beating with no connection to the barrels, wowing the owner with every stare!
The case is made from one of the most difficult metals to work with! In fact, this is the only watch made entirely of tantalum, including case, crown, buckle and tongue. The tantalum case takes Journe 5x longer to make than platinum. It needs 73 different tooling operations to make and cannot be polished. Instead it has to be sanded down to achieve that shine which takes a really long time. The crown has a hand made knurling effect. The case material is perfectly suited to bring out and match the dial. Again, no shortcuts!
The dial, is the only dial of its kind to ever exist in the world of horology! Ask any Bleu owner and they will tell you...this thing has a mind of its own from ranging shades of Bleu to shadows of the numerals seen within the dial itself! Polished to a mirror finish, it then has extremely thin layers of blue paint applied till correct tone is achieved. The layers are microns thin! Then, 7 layers of lacquer applied and the most difficult part is ensuring everything is percect between those 7 layers. Each error is magnified because of the mirror finish and in turn, the dial has a 60% fail rate when it meets quality control...reduced from 90% at first! After, the numerals are printed 6 times to achieve the perfect depth that fits with Mr. Journe's high standards!
Bottom line, i wonder what Patek would ask if they came up with this. 60k?? With Mr. Journe, this watch is clear proof that every Journe watch is perfect no matter the price. Invenit et Fecit is the motto and rightfully so! The Bleu is physical evidence that each piece is a work of art and nothing less will be offered to those wishing to taste the mastery of Journe! In fact, even with my two other complicated Journe's...this would be the last to go if i ever had to.